DSLRs
First Canon EOS Digital Rebel XSi Hands On: Your XTi Is Now Junk
A Word About the Canon EOS 5D Successor
Shifty Eyes on Sony Alpha 350: Shooting From the Hip
Hands On Nikon D60 With Stop Motion Movie Walkthrough

Point-and-Shoots
Hands On Olympus Stylus 1030 SW Indestructo-Point-and-Shoots
Hands On Panasonic Lumix TZ5 10X Zoomer and HD Camcorder
Fujifilm S1000fd and S8100fd Ultra-Zoom Pro-sumer Camers have 12x and 18x Zoom
Sony DSC-T300 Sony's Top Line Slim Cam
Poll: Is HD Video the Next Must-Have Point-and-Shoot Feature?

Other cool stuff
Sony's 25-Megapixel Full-frame Sensor Lands in Massive Sony DSLR
Leica M8: A Camera for Life
Korean Engineers Develop Miraculous 20,000 Year Photo
Panasonic's Wannabe Ninjas

Okay, some BS
An Unfortunate Grope of SmartParts' Fugly Digital Photo Frame/Printer
Hands On Fujifilm S100FS Faux DSLR: Why?

If you want absolutely everything, here's your ticket.

And now, what you've really been waiting for, from the crazy dudes at DigitalCameraInfo:

I will admit it's kind of cool watching the printer add layers of dye sublimation to add build one full picture, but the novelty quickly wears off. It takes about a minute to print, and it's instantly touchable. But the photos suck. This is a pre-production model, so it could get better, but the sample I printed removed all subtlety from the photo—shadow detail lost, whites blown out and noticeable bleed.

The paper stock is mediocre and you can't even upgrade—you buy proprietary cartridges for $20 that have 36 sheets, with dye cartridge to match. Then you've gotta buy a new one. The printer, as you can imagine, adds a little lot of heft. This hunchbacked mess is not the digital photo frame you were looking for. [Giz @ PMA]

Here's how it works: You reserve an update spot at leica-camera.com, and then they'll tell you when you can send in your camera. They'll pick it up, ship it to Germany and install the updates and the latest firmware, then send it back to you. In a nice move, participation in the upgrade automatically extends your warranty by another two years. This first sapphire update package will be available in March, and they'll offer up fresh ones as they develop them, including, from the way it sounds, even a new sensor at some point. [Leica]

Its showstopper feature, the ridonkulous ISO ratings, fell way short, though you should keep in mind this is a pre-production model, and it could get much better before it ships: A few snaps shot at 6400 had mad noise, evident even in playback on its LCD screen. That aside, I still can't really feel for this camera. The only feature I can say is neat is the tilting screen but Sony has it too on their new alphas. Maybe some more extensive testing would reveal otherwise, but my based on initial impressions, if you're going to pick up a camera that weighs, feels and is priced like a DSLR, just get a DSLR. [Giz @ PMA]

Its interface is sexier, with subtle shading and color options, which look even better thanks to the great LCD screen (a necessity with live view, which well, worked). Shooting produced a more satisfying click than than the XTi as well and the autofocus was definitely snappy. We obviously couldn't subject it to lotsa photo tests right here, but if the specs and our bit of time add up correctly, this is the new entry-level DSLR king. [Giz @ PMA]

[PMA 2008 Coverage @ Giz]

SONY INTRODUCES TWO MAINSTREAM DSLR CAMERAS WITH
UNIQUE "QUICK AF LIVE" VIEW SYSTEM

SAN DIEGO, Jan. 30, 2008 - Sony is bringing live-view shooting to its digital SLR camera line with today's introduction of a 14.2-megapixel  (alpha) DSLR-A350 camera and 10.2-megapixel α (alpha) DSLR-A300 model. Both cameras feature new technologies that make picture taking faster, easier, and more familiar for first-time DSLR users.

Quick AF Live View System

They both offer Sony's new "Quick AF Live View" technology so you can frame photos on the camera's LCD without sacrificing auto-focusing speed common to other live-view systems.

Sony's innovative Pentamirror Tilt mechanism directs light to a dedicated live view image sensor, enabling fast and responsive TTL phase-detection auto-focusing, even during live view. Eliminating the focus delay of other systems, the new models are equally responsive whether using live view or optical viewfinder.

With its two sensor design, Quick AF Live View can even continuously focus-track the subject and provide live view during burst shooting, helping you capture that special moment.

Taking further advantage of Quick AF Live View is the models' variable angle 2.7-inch Clear Photo LCD ™ screen. This makes it easy to frame scenes from high or low positions difficult to reach when using an eye-level viewfinder.
With Live View and an adjustable LCD, the cameras do not need to be in front of the user's face, allowing parents, for example, to maintain eye-contact when photographing their children.

"Mainstream users stepping up to DSLRs are looking for a similar experience to their point and shoot cameras, but without compromise in speed or performance" said Phil Lubell, director of marketing for digital cameras at Sony Electronics. "Quick AF Live View gives these new models a familiar shooting style without compromising speed - ideal for the growing market of first-time SLR users."
Exceptional Image Quality

The new models produce images with fine detail, rich tonality and vibrant color due to their APS-C CCD image sensors and BIONZ® processing engine. To aid shooting in low light, Super SteadyShot® image stabilization enables shutter speeds 2.5 to 3.5 steps slower than otherwise possible, with every compatible Minolta Maxxum® and Sony α (alpha) lens (sold separately) attached to the camera.

High sensitivity operation at ISO 1600 and 3200 and very low noise are made possible by the user-selectable high-ISO noise reduction features. Sony's D-Range Optimizer delivers suitable tonality and exposures with rich shadow and highlight detail, even under high contrast situations.
Powerful Performance, Easy to Use

The DSLR-A300 model can shoot about three continuous frames per second and the DSLR-A350 model can shoot up to two-and-a-half continuous frames per second, when using the optical viewfinder. Both are powered by the Bionz processing engine and supplied InfoLITHIUMTM battery for fast start-up times, quick response and long battery life - up to 730 shots per full charge when using the optical viewfinder and up to 410 shots per full charge in live-view mode.

Both models feature lighter, slimmer bodies for easy handling; an improved user interface; an automatic pop-up flash; a comfortable camera grip with an easily accessible mode dial; an anti-dust system to keep the CCD image sensor clean for spot-free pictures; and JPEG and RAW file format support. Both have a slot for CompactFlash™ Type I/II media cards.

An adaptor for Memory Stick Duo™ media cards is also available for the cameras and sold separately.
The new DSLR-A300 and DSLR-A350 cameras are compatible with a range of accessories, including the ergonomic Sony VG-B30AM vertical grip. Also available as an option is the new Sony HVL-F42AM flash unit. It offers advanced features such as automatic white balance adjustment with color temperature information, adjustable bounce angles, ADI metering and wireless remote operation to suit the needs of most photographers.
Price and Availability

The DSLR-A300 kit with a DT 18-70mm f3.5-5.6 standard zoom lens will ship in April for about $800. The DSLR-A350 camera body will be available in March for about $800, and the DSLR-A350 kit with a DT 18-70mm f3.5-5.6 3.9x zoom lens will be available for about $900 at the same time. Both models will be available at sonystyle.com, Sony Style® retail stores (www.sonystyle.com/retail), military base exchanges, and authorized dealers nationwide. Pre-orders begin online today at www.sonystyle.com/dslr.

Sony isn't about to pop it in one of its Alpha models, at least not as far as we can tell. In fact, Nikon would be a more likely customer for this sucker when it ships this summer, the better to compete with Canon's $8,000 EOS-1Ds Mark III DSLR, which has its own 21.1-megapixel full-frame CMOS. (Those pro guys really like it when their sensors are the same size as the film they used to use.) Now, who ever said the megapixel race was over? Cuz they're wrong. [Sony]

Press Release:

Sony Develops 35mm full size CMOS Image Sensor with 24.81 Effective Mega pixel resolution and extremely high signal conversion speed for use in Digital SLR Cameras

~ All-pixel scan mode of 6.3 frame/s ~

Tokyo, Japan - Sony Corporation today announced the development of a 35mm full size (diagonal:43.3mm/Type 2.7) 24.81 effective megapixel, ultra-high speed high image quality CMOS image sensor designed to meet the increasing requirement for rapid image capture and advanced picture quality within digital SLR cameras.

Development background
In recent years, the demand for digital SLR cameras featuring high resolution and wide graduation ranges capable of capturing every detail of the subject matter has continued to increase, particularly among high-end amateur users. Additionally, the increasing user requirement to shoot from the same focal length and angle as 35mm film cameras using interchangeable lenses has led to significant interest in the development of 35mm, full size CMOS image sensors.

However, there are a number of technical challenges to developing full (large) size image sensors, such as the propagation delay caused by using extended power circuitry and signal lines, and the difficulty of maintaining uniform sensitivity and signal saturation across the surface of the screen.

Furthermore, because current semiconductor exposure systems are unable to cover the entire chip surface of 35mm full size CMOS image sensors, multiple exposures are required. This results in the difficulty of accurately controlling exposure variance and matching circuit patterns.

Advantages of this device
The newly developed CMOS image sensor combines unique circuit design technology with Sony's advanced fabrication expertise, including a system of joining multiple exposed patterns together and advanced planarization for minimizing fluctuation, to realize 35mm, full size, 24.81 effective megapixel resolution. Sony's"Column-Parallel A/D Conversion Technique"also provides each column within the sensor with its own A/D converter, minimizing image degradation caused by the noise that arises during analog processing while at the same time delivering an extremely high signal conversion speed.

The enhanced image quality generated by the sensor's 24.81 effective megapixel resolution, wide range of graduation expression achieved by its full size broad dynamic range, and the low noise, high resolution, ultra-responsive performance provided by Sony's Column-Parallel A/D Conversion technique enable it to meet the ever-increasing requirements within high performance digital SLR cameras.

Sony will target for mass production of this CMOS image sensor within this year.

＜Major features＞
１）High picture quality in 35mm full size image sensor with 24.81M effective pixels
２）"Column-Parallel A/D Conversion method" achieves high S/N and high-speed imaging
・CDS/PGA(24dB)Circuit （PGA: Programmable Gain Amplifier）
・12bit-AD Converter on chip
・Diversified readout mode
・All-pixel scan mode 6.3 frame/s (12bit)
・Window readout
３）High-speed digital output（12 channel parallel LVDS output）

＜Device Structure＞
Image size Diagonal width 43.3mm (Type 2.7)
Total number of pixels 6236(H) x 4124(V) approx. 25.72M pixels
Number of effective pixels 6104(H) x 4064(V) approx.24.81M pixels
Number of active pixels 6096(H) x 4056(V) approx.24.73M pixels
Chip size 41.0mm (H) x 31.9 mm (V)
Unit cell size 5.94μm (H) x 5.94μm (V)

PANASONIC EXPANDS ITS AWARD-WINNING TZ-FAMILY OF LUMIX COMPACT, SUPERZOOM DIGITAL CAMERAS

New LUMIX TZ5 and TZ4 Offer 10x Optical Zoom, 28mm Wide-Angle Lenses and Advanced Intelligent Auto Mode Technologies for Increased Ease-of-Use

LAS VEGAS, NV (January 29, 2008) - Panasonic today introduced two new additions to its award-winning TZ-family of LUMIX digital cameras, the DMC-TZ5 and DMC-TZ4 - both packing a 28mm wide-angle, 10X optical zoom Leica DC lens in a compact design, ideal for the active user needing a versatile camera. By combining a 28mm wide-angle lens, which lets the user capture a wider-framed shot when compared to a traditional 35mm camera, with the TZ-Series 10x optical zoom - consumers are empowered to take expanded shots, both wide and far. Adding to these feature-rich digital cameras, Panasonic also expands its Intelligent Auto technologies with new Intelligent Exposure and Digital Red-eye Correction.

"Panasonic is taking digital photography to a new level and recognizes that everyone, not just professionals, should be equipped with a digital camera powerful enough to take high-quality photos, but compact enough to carry with them everyday," said Alex Fried, National Marketing Manager, Imaging, Panasonic Consumer Electronics Company. "With the success of the TZ3, we're confident that the enhancements we've made to the 2008 TZ-family will make them a must-have for consumers who appreciate advanced, intuitive and versatile digital cameras."

With the addition of Intelligent Exposure and Digital Red-eye Correction, Panasonic's Advanced Intelligent Auto mode consists of seven intuitive technologies, all which are specifically designed to help make photo-taking an enjoyable and seamless process unnoticed by the consumer - helping them to take clear photos. When in Advanced Intelligent Auto mode, the following technologies all operate automatically; the consumer does not need to change any settings:

• Intelligent Exposure - With this new feature, photos will no longer be under- or over-exposed. Instead, the TZ5 and TZ4, instantly analyze the framed image and adjusts the brightness in areas that are too dark because of dim lighting, backlighting or the use of the flash. The camera will automatically adjust the brightness accordingly.
• Digital Red-eye Correction*- This feature helps to eliminate the red-eye problem that sometimes results when taking flash shots at the night. Incorporated into the built-in flash, the camera emits a small preliminary flash before the main flash, detects red-eye and will digitally correct it.
• MEGA O.I.S. - Gyrosensors detect hand-shake and the lens system shifts to compensate, helping to prevent hand-shake from creating a blurry image.
• Intelligent ISO - With Intelligent ISO, the TZ4 and TZ5 can determine if the photo subject is moving and change the ISO setting and shutter speed accordingly, thus giving a blur-free photo.
• Intelligent Scene Selector - Intelligent Scene Selector senses the ambient conditions, recognizes the shooting environment and will automatically select the appropriate scene mode from: Scenery, Portrait, Macro, Night Portrait or Night Scenery mode. This intuitive technology, helps the consumer use the most common scene modes that are built into the camera, but often go unused, without making any manual adjustments.
• Face Detection - Panasonic's Face Detection detects faces anywhere in the frame and automatically chooses the optimal focus and exposure settings so portraits come out clear and crisp. Detecting up to 15 faces, Panasonic's Face Detection can even track a face if the subject is moving.
• Continuous AF - The Continuous AF (auto focus) system maintains focus on the subject even without pressing a shutter button halfway, thus minimizing the AF time.

Also new to the TZ5 and the TZ4 is the Venus Engine IV, Panasonic's new high-performance image processing LSI. The Venus Engine IV produces higher-quality pictures than its predecessor, the Venus Engine III, by using a more advanced signal processing system. The new Venus Engine IV also improves noise reduction, elevates the detection accuracy and corrective effects in both MEGA O.I.S. and Intelligent ISO and reduces the shutter release time lag. Both models also incorporate Intelligent LCD, which detects the lighting condition and controls the brightness level of the LCD in 11 fine steps, to offer optimal clarity in any situation, whether dark or light; indoors or outdoors. With a newly developed 460,000-dot high resolution in the TZ5's 3.0-inch LCD and 230,000-dot in the TZ4's 2.5-inch LCD, photos can be easily viewed on the display, regardless of the shooting environment.

The TZ5, with 9.1 megapixels is capable of recording 720p High Definition motion pictures, and because of its support of SD Memory Cards, is easily compatible with Panasonic VIERA Plasma HDTVs that have an integrated SD Memory Card slot, so viewing photos is simple. The TZ4, with 8.1 megapixels, joins the TZ5 in its ability to take 1920 x 1080 pixel High Definition-ready photos that perfectly fit a wide-screen (16:9) HDTV. Also, with the newly added HD component output capability, users can also connect the TZ models to an HDTV and watch a slideshow complete with mood-appropriate music, choosing from natural, slow, urban and swing.

The Panasonic LUMIX DMC-TZ5 is available in blue, black and silver models for a manufacturer's suggested retail price (MSRP) of $349.95, while the DMC-TZ4 is available in black and silver for an MSRP of $299.95. Both models will be available in late March 2008.

*Digital Red-eye Correction available only on the LUMIX DMC-TZ5.

About Panasonic Consumer Electronics Company
Based in Secaucus, N.J., Panasonic Consumer Electronics Company is a Division of Panasonic Corporation of North America, the principal North American subsidiary of Matsushita Electric Industrial Co. Ltd. (NYSE: MC) and the hub of Panasonic's U.S. marketing, sales, service and R&D operations. In its commitment to provide consumers with extensive imaging resources, Panasonic LUMIX established the Digital Photo Academy, a series of nationwide workshops designed to instruct consumers how to optimize the features on their digital cameras and produce high-quality photos. Panasonic is honored to support OUR PLACE - The World's Heritage, a project that will create the world's largest photographic collection of UNESCO World Heritage sites, with acclaimed photographers exclusively using LUMIX digital cameras to capture all images. Information about Panasonic LUMIX digital still cameras and its affiliated programs is available at www.panasonic.com/dsc.

# # #

DMC-TZ5/ DMC-TZ4 Specifications
DMC-TZ5: S-Silver, K-Black, A-Blue
DMC-TZ4: S-Silver, K-Black

　 DMC-TZ5 / DMC-TZ4
Dimensions (W x H x D) TZ5: 103.3 x 59.3 x 36.5 mm (4.07 x 2.33 x 1.44 in)
　 TZ4: 103.3 x 59.3 x 36.2 mm (4.07 x 2.33 x 1.43 in)
Weight TZ5: Approx. 214g (0.47 Ib) Approx. 240g with Battery and SD Memory Card (0.53 lb)
　 TZ4: Approx. 208g (0.46Ib) Approx. 234g with Battery and SD Memory Card (0.52 lb)
Camera Effective Pixels TZ5: 9.1 Mega pixels
　 TZ4: 8.1 Mega pixels
Image Sensor TZ5: 1/2.33" 10.7 Total Mega Pixels CCD, Primary Color Filter
　 TZ4: 1/2.5" 8.32 Total Mega Pixels CCD, Primary Color Filter
Optical Zoom 10x
Extra Optical Zoom TZ5:
　 4:3 Aspect Ratio: 11.3x for 7Mega, 13.5x for 5Mega, 16.9x for 3Mega, 2Mega, 0.3Mega
　 3:2 Aspect Ratio: 11.6x for 6Mega, 13.9x for 4.5Mega, 16.9x for 2.5Mega
　 16:9 Aspect Ratio: 12.1x for 5.5Mega, 14.5x for 3.5Mega, 16.9x for 2Mega
　 TZ4:
　 TZ4: 4:3 Aspect Ratio: 12.8x for 5Mega, 15.9x for 3Mega, 2Mega, 0.3Mega
　 3:2 Aspect Ratio: 12.8x for 4.5Mega, 15.9x for 2.5Mega
　 16:9 Aspect Ratio: 12.8x for 3.5Mega, 15.9x for 2Mega
Digital Zoom 4x
　 ( Max. 40.0 x combined with Optical Zoom without Extra Optical Zoom )
　 TZ5: (Max. 67.5x combined with Extra Optical Zoom)
　 TZ4: (Max. 63.8x combined with Extra Optical Zoom)
Focal Length f=4.7-47mm (35mm Equiv.: 28-280mm)
Lens LEICA DC VARIO-ELMAR
　 11 elements in 9 groups
　 (3 Aspherical Lenses / 4 Aspherical surfaces, 1 ED lens)
Aperture Wide: F3.3 / F8.0 (2 steps) Tele: F4.9 / F11 (2 steps)
Optical Image Stabilizer MEGA O.I.S. (Mode1/ Mode2)
Focusing Area Normal: Wide 50cm/ Tele 200cm - infinity
　 Macro / Intelligent AUTO / Clipboard : Wide 5cm / Max 200cm / Tele 100cm - infinity
AF Metering Face / 1-point/ 1-point high speed/ 3-point high speed/ 9-point/ Spot
Focus Normal / Macro, Continuous AF (in Intelligent Auto, On/Off)
AF Assist Lamp Yes
ISO Sensitivity Auto /100 / 200 / 400 / 800 / 1600
　 (High Sensitivity Mode : Auto(1600 - 6400) )
White Balance Auto / Daylight / Cloudy / Shade / Halogen / White Set
　 White Balance Adjustment (±10steps, except for auto set)
Exposure Program AE
Exposure Compensation 1/3 EV step, +/-2 EV
Backlight Compensation Yes (at Intelligent AUTO mode)
Auto (AE) Bracketing +/- 1/3 EV ~1EV step, 3 frames
Light Metering Intelligent Multiple/ Center Weighted/ Spot
Rec Mode (Mode Dial) Intelligent AUTO, Normal Picture, Motion Picture, Clipboard, Scene 1, Scene 2
Scene Mode TZ5:
　 Portrait, Soft Skin, Scenery, Sports, Night Portrait, Night Scenery, Self-Portrait,
　 Food, Party, Candle Light, Baby1, Baby2, Pet, Sunset, High sensitivity, Hi-Speed Burst,
　 Starry Sky, Fireworks, Beach, Snow, Aerial photo, Underwater, Multi Aspect
　 TZ4:
　 Portrait, Soft Skin, Scenery, Sports, Night Portrait, Night Scenery, Self-Portrait,
　 Food, Party, Candle Light, Baby1, Baby2, Pet, Sunset, High sensitivity, Hi-Speed Burst,
　 Starry Sky, Fireworks, Beach, Snow, Aerial photo, Underwater
Shutter Speed 8-1/2000 sec, Starry Sky Mode : 15, 30, 60sec.
Self Timer 2sec / 10sec
Auto Review 1sec, 2sec, Zoom, Hold
Color Mode Standard, Natural, Vivid, Black & White, Sepia, Cool, Warm
Recording Format Still Image: JPEG(Design rule for Camera File system, based on Exif 2.21 standard)
　 DPOF corresponding
　 Image with audio: JPEG (Design rule for Camera File system, based on Exif 2.21 standard)
　 + QuickTime
　 Motion picture: QuickTime Motion JPEG
Recording Image Size TZ5:
　 Still Image:
　 4:3 Aspect Ratio:
　 3456 x 2592 pixels, 3072 x 2304 pixels, 2560 x 1920 pixels, 2048 x 1536 pixels,
　 1600 x 1200 pixels, 640 x 480 pixels
　 3:2 Aspect Ratio:
　 3552 x 2368 pixels, 3072 x 2048 pixels, 2560 x 1712 pixels, 2048 x 1360 pixels
　 16:9 Aspect Ratio:
　 3712 x 2088, 3072 x 1728 pixels, 2560 x 1440 pixels,1920 x 1080 pixels
　 TZ4:
　 Still Image:
　 4:3 Aspect Ratio:
　 3264 x 2448 pixels, 2560 x 1920pixels, 2048 x 1536 pixels,
　 1600 x 1200 pixels, 640 x 480 pixels
　 3:2 Aspect Ratio:
　 3264 x 2176 pixels, 2560 x 1712 pixels, 2048 x 1360 pixels
　 16:9 Aspect Ratio:
　 3264 x 1840 pixels, 2560 x 1440 pixels,1920 x 1080 pixels
Image Quality
Fine / Standard
Motion Picture TZ5:
　 4:3 Aspect Ratio: 640 x 480 pixels, 320 x 240 pixels 30 fps, 10 fps
　 16:9 Aspect Ratio: 848 x 480 pixels 30 fps, 10 fps
　 HD（16:9 Aspect Ratio）: 1280x720 30fps, 15fps
　 TZ4:
　 4:3 Aspect Ratio: 640 x 480 pixels, 320 x 240 pixels 30 fps, 10 fps
　 16:9 Aspect Ratio: 848 x 480 pixels 30 fps, 10 fps
Burst Shooting Mode TZ5:
　 Full-Resolution Image
　 2.5 frames/sec Max. 5 images (Standard mode), Max 3 mages (Fine Mode)
　 High-speed Burst Mode:
　 Approx. 6 frames/sec (recorded in 2M for 4:3, 2.5M for 3:2, 2M for 16:9)
　 TZ4:
　 Full-Resolution Image
　 3 frames/sec Max. 7 images (Standard mode), Max 4 images (Fine Mode)
　 High-speed Burst Mode:
　 Approx. 7 frames/sec (recorded in 2M for 4:3, 2.5M for 3:2, 2M for 16:9)
Unlimited consecutive shooting Yes
Intelligent Exposure Yes
Digital Red Eye Correction TZ5: Yes / TZ4: No
Easy Zoom / Zoom Resume Yes / Yes
Zoom in Motion Picture Recording Yes
Still Image Rec. with Audio 5 sec
Audio Dubbing Max. 10sec
Real-time histogram Yes
Composition Guide line Yes (2 patterns)
Built-in-Memory approx. 50MB
Scene Mode Help Screen Yes
Auto Angle Detection Yes
Travel Date / World Time Yes / Yes
Title Edit Yes
Text Stamp Yes
Built-in-Flash Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off
　 0.6 - 5.3m (Wide/ISO Auto), 1.0 - 3.6m (Tele/ISO Auto)
LCD Monitor TZ5: 3.0" Polycrystalline TFT LCD Display (460K dots), Field of View : approx. 100%
　 AUTO Power LCD mode, Power LCD mode, High angle mode
　 TZ4: 2.5" TFT LCD Display (230K dots), Field of View : approx. 100%
　 AUTO Power LCD mode, Power LCD mode, High angle mode
Playback mode TZ5:
　 [REC]/[Play] Selector switch
　 30-thumbnail display, 12-thumbnail display, calendar display,
　 zoomed playback (16x max.), playback of favorite pictures,
　 image rotation, Resizing (selectable number of pixels),
　 trimming, protection, aspect conv. DPOF print setting 　
　 Creating still pictures from a motion picture, Dual image playback
　 TZ4:
　 [REC]/[Play] Selector switch
　 30-thumbnail display, 12-thumbnail display, calendar display,
　 zoomed playback (16x max.), playback of favorite pictures,
　 image rotation, Resizing (selectable number of pixels),
　 trimming, protection, aspect conv. DPOF print setting 　
Slideshow Mode Yes (duration & effect with music adjustable)
Category Playback Yes (in slideshow mode and normal playback)
OSD language English,German,French,Italian,Spanish,Polish,Czech,Hungarian,Russian,
Chinese(Traditional),Chinese(Simplified), Netherlandic,Thai,Korean,
Turkish, Portuguese, Arabic, Persian, Japanese
　
Recording Media Built-in Memory
　 SD Memory Card, SDHC Memory Card, MultiMediaCard(Still image only)
Microphone Yes
Speaker Yes
Interface DC Input, AV Output (NTSC/PAL), HD AV Output (Component), USB2.0 High speed
Direct Print PictBridge
Power Li-ion Battery Pack (3.7V, 1000mAh) (Included)
　 AC Adaptor (Input: 110-240V AC) (Optional)
Battery life (approx.) TZ5: 300 pictures (CIPA Standard)*1
　 TZ4: 330 pictures (CIPA Standard)*1
Included Software PHOTOfunSTUDIO -viewer-
　 ArcSoft (MediaImpression / Panorama Maker)
　 USB Driver
Standard Accessories Battery Charger, Battery Pack, Battery carrying case
　 AV Cable, USB Connection Cable, Strap, CD-ROM

*1. Shooting conditions: 23°C with 50% humidity; LCD on; using SD Memory Card; starting to shoot 30 seconds after turning on the power; shooting once every 30 seconds with the flash in full operation for every other shot; changing the zoom setting from telephoto to wide, or wide to telephoto, for each shot; and temporarily turning the power off after each 10 shots (long enough to lower the battery temperature).

*The number of recordable pictures decreases in Auto Power LCD mode or Power LCD mode.

*Some accessories are not available in some countries.
*The use of recorded or printed materials that are protected by copyright for any purpose other than personal enjoyment is prohibited, as it would infringe upon the rights of the copyright holder.
*Leica is a registered trademark of Leica Microsystems IR GmbH.
*The LEICA DC VARIO-ELMAR lenses are manufactured using measurement instruments and quality assurance systems that have been certified by Leica Camera AG based on the company's quality standards.
*All other company and product names are trademarks of their respective corporations.
*QuickTime and the QuickTime logo are used under license. QuickTime is a registered trademark in the U.S. and other countries.
*This unit is compatible with both SD Memory cards and SDHC Memory cards. You can only use SDHC Memory cards on devices that are compatible with them. You cannot use SDHC Memory cards on devices that are only compatible with SD Memory cards. (When using a SDHC Memory card on another device, be sure to read the operating instructions for that device.)

*Design and specifications are subject to change without notice.

The DMC-FS20 and FS5 have the same 10.1MP rating, a 4x zoom that starts at a wide but not ultrawide 30mm starting point. It also has a bigger screen of 3 inches on the FS20 (the FS5 gets a mere 2.5-incher, but both do intelligent light adjust on the screens depending on ambient lighting, the same as the FX35.) $300 and $250. They also have Leica lenses and the same Venus Engine IV, stabilization, face, scene and motion detection as the FX35. No word on video capture abilities.

The FS3 has an 8.1MP sensor, and a 3x Leica lens without focal reference, so I'm assuming it's over 30mm. It can edit text captions to photos, record 848 x 480 video (16:9), has 50MB of internal memory, and costs $200. (Available in blue, green, pink, silver and black.)

PANASONIC'S NEW SUPER-SLIM LUMIX FX35 DIGITAL CAMERA OFFERS LINE'S FIRST 25MM WIDE-ANGLE LENS

LUMIX FX35 Packs a 25mm Ultra-Wide-Angle Leica Lens, Capturing Almost Double the Viewing Area*, Plus Panasonic's Advanced Intelligent Auto Mode

LAS VEGAS (January 29, 2008) - Panasonic today announced the newest addition to its popular line of super-slim LUMIX FX-Series digital cameras, with the introduction of the DMC-FX35, complete with Panasonic's first-ever 25mm ultra-wide-lens. The FX35, with 10.1 megapixels, also features a 4x optical zoom, Panasonic's Advanced Intelligent Auto mode, a LEICA DC VARIO-ELMARIT lens offering f2.8 brightness and the new fourth-generation Venus Engine image processor.

"With the Panasonic LUMIX FX35's 25mm ultra-wide-angle lens, we are providing consumers with a camera that captures remarkable and unprecedented width and depth - all available in a slim camera that is small enough to carry in a pocket or small purse," said Alex Fried, National Marketing Manager, Imaging, Panasonic Consumer Electronics Company. "Consumers are gradually beginning to understand the value of wide-angle lenses. When they fully understand that the FX35 can help them capture almost double the frame, meaning they can squeeze twice as many friends into the group shot, we're confident we'll have some happy digital photographers."

To achieve a 25mm ultra-wide-angle lens in the slim design of the FX35, Panasonic developed a new unevenly thick concave meniscus EA (Extra high refractive index Aspherical) lens. Working closely with Leica to meet their strict standards on lenses, the LUMIX FX35's lens compromises of seven elements in six groups, including four aspherical lenses with six aspherical surfaces.

Panasonic's Advanced Intelligent Auto mode expands Panasonic's system of intuitive technologies with the addition of Intelligent Exposure and Digital Red-eye Correction. Consisting of seven advanced and intuitive technologies, with Advanced Intelligent Auto mode, the consumer is able to rely on the advanced technologies happening automatically, without them changing any settings, thus taking high-quality photos is easy and effortless. Advanced Intelligent Auto mode includes:

Intelligent Exposure - With this new feature, photos will no longer be under- or over-exposed. Instead, the FX35, instantly analyze the framed image and adjusts the brightness in areas that are too dark because of dim lighting, backlighting or the use of the flash. The camera will automatically adjust the brightness accordingly.
Digital Red-eye Correction- This feature helps to eliminate the red-eye problem that sometimes results when taking flash shots at the night. Incorporated into the camera, the built-in flash emits a small preliminary flash before the main flash, detects red-eye and will digitally correct it.
MEGA O.I.S. - Gyrosensors detect hand-shake and the lens system shifts to compensate, helping to prevent hand-shake from creating a blurry image.
Intelligent ISO - With Intelligent ISO, the FX35 can determine if the photo subject is moving and change the ISO setting and shutter speed accordingly, thus giving a blur-free photo.
Intelligent Scene Selector - Intelligent Scene Selector senses the ambient conditions, recognizes the shooting environment and will automatically select the appropriate scene mode from: Scenery, Portrait, Macro, Night Portrait or Night Scenery mode. This intuitive technology, helps the consumer use the most common scene modes that are built into the camera, but often go unused, without making any manual adjustments.
Face Detection - Face Detection detects faces anywhere in the frame, even if they are moving, and automatically chooses the optimal focus and exposure settings so portraits come out clear and crisp. Panasonic's Face Detection detects up to 15 faces.
Quick AF - The Quick AF (auto focus) system starts focus on the subject by just pointing the camera to the subject, thus minimizing the AF time.

The FX35 features a fourth-generation high-performance image processing LSI, the Venus Engine IV. The Venus Engine IV produces higher-quality digital photos, as compared to the Venus Engine III predecessor, with an advanced signal processing system that produces a quick response time. The shutter release time lag is as short as 0.005 second, making it easier to capture sudden, spur-of-the-moment photo opportunities. In burst shooting mode, the DMC-FX35 can snap 2.5 shots per second at full resolution**. Also, in High-Speed Burst shooting mode***, it fires an incredible 6 shots-per-second, plus unlimited consecutive shooting****, which lets the consumer snap photos until the memory card is full.

Consumers can view slideshows on the FX35's 2.5-inch LCD, and new this year, can also add mood-appropriate music, choosing from natural, slow, urban or swing tunes. The LUMIX FX35 incorporates an Intelligent LCD, which detects the lighting condition and controls the brightness level of the LCD in 11 fine steps, to offer a display with the most appropriate clarity in any situation. Users can also enjoy slideshows of captured images with music effects to match the mood of the images. Furthermore, the High Angle mode makes the LCD screen extremely easy to view when the camera is held high, such as when shooting over a crowd.

The LUMIX FX35 is capable of recording 720p High Definition motion pictures and 1920 x 1080 pixel High Definition-ready photos that perfectly fit a wide-screen (16:9) HDTV. Panasonic VIERA Plasma or LCD HDTVs that have an integrated SD Memory Card slot, so viewing still images is simple as inserting the SD card. In addition, with the newly added HD component output capability, consumers can enjoy watching still and motion images in stunning HD quality taken by simply taking the DMC-FX35 and connecting the camera via an optional component cable (DMW-HDC2).

The DMC-FX35 will be available in March 2008 in silver, black and blue, models with a manufacturer's suggested retail price of $349.95.

PANASONIC LAUNCHES BRAND-NEW FS-SERIES TO POPULAR LUMIX DIGITAL STILL CAMERA LINE

New LUMIX DMC-FS20 and DMC-FS5 Feature Intelligent Auto Technologies, 10.1-Megapixels, and 30mm Wide-Angle, 4x Optical Zoom Leica DC Lens

LAS VEGAS, NV (January 29, 2008) - Panasonic today announced the launch of the new LUMIX FS-Series of digital cameras, debuting a pair of 10.1-megapixel models, the DMC-FS20 and DMC-FS5, both which feature 30mm wide-angle Leica DC lens with 4x optical zoom. The FS models, a stylish sister-line of the highly-acclaimed LUMIX FX-Series, combines easy operation with a slim and sleek look, enabling both beginner and advanced users to take beautiful digital photos with a model they can slip in their pocket. Both cameras also have Intelligent Auto Mode, an advanced intuitive system of technologies that help users take better photos more easily.

"Panasonic added the FS-Series to our LUMIX line of digital cameras to address the needs of consumers who want a point-and-shoot camera that is not only affordable, intuitive and easy-to-use, but also stylish and small enough that they slip it in their pocket or into a small purse," said Alex Fried, National Marketing Manager, Imaging, Panasonic Consumer Electronics Company. "The FS-line packages Leica lenses, Intelligent Auto Mode, powerful image processing and superior memory power in a small, sleek design. We want our LUMIX digital cameras to have features that enable great digital photos regardless of the level of the photographer."

The FS20 and FS5 feature Intelligent Auto Mode, comprised of five functions: Mega O.I.S., Intelligent ISO Control, Intelligent Scene Selector, Face Detection and Quick AF (auto focus).

MEGA O.I.S. - Gyrosensors detect hand-shake and the lens system shifts to compensate, helping to prevent hand-shake from creating a blurry image.
Intelligent ISO - With Intelligent ISO, the FS20 and FS5 can determine if the photo subject is moving and change the ISO setting and shutter speed accordingly, thus giving a blur-free photo.
Intelligent Scene Selector - Intelligent Scene Selector senses the ambient conditions, recognizes the shooting environment and will automatically select the appropriate scene mode from: Scenery, Portrait, Macro, Night Portrait or Night Scenery mode. This intuitive technology, helps the consumer use the most common scene modes that are built into the camera, but often go unused, without making any manual adjustments.
Face Detection - Panasonic's Face Detection detects faces anywhere in the frame and automatically chooses the optimal focus and exposure settings so portraits come out clear and crisp. Detecting up to 15 faces, Panasonic's Face Detection can even track a face if the subject is moving.
Quick AF - The Quick AF (auto focus) system starts focus on the subject by just pointing the camera to the subject, thus minimizing the AF time.

In addition to powerful the Intelligent Auto Mode, the fourth generation high-performance image-processing Venus Engine IV LSI helps produce higher-quality pictures with an advanced signal processing system. It adds a new high-performance noise reduction system that helps reproduce even the most delicate parts of images naturally and without color bleeding. The Venus Engine IV reduces shutter release time lag while still enabling high-resolution picture taking, making it easier to capture spur-of-the-moment photo opportunities.

Other features of the DMC-FS20 and the DMC-FS5 include approximately 50 MB of internal memory and a 3.0-inch LCD for the FS20 and a 2.5-inch LCD for the FS5 - perfect for easy-to-see viewing of images. Furthermore, these models feature Intelligent LCD, which detects the lighting condition and controls the brightness level of the LCD to offer optimal clarity in any situation, whether dark or light; indoors or outdoors.

The LUMIX DMC-FS20, with a manufacturer's retail price (MSRP) of: $299.95 will be available in pink, black and silver models, and the DMC-FS5 (MSRP: $249.95) will be available in red, black and silver models. Both will be available in February 2008.

PANASONIC UNVEILS FS-SERIES, WITH SLIM AND STYLISH DESIGN, ADDING TO ITS LINE OF COMPACT LUMIX DIGITAL CAMERAS

LUMIX FS3 Packs Advanced Features Into Pocket-Sized Digital Camera

LAS VEGAS, NV (January 29, 2008) - Panasonic today unveiled a new compact line of LUMIX digital cameras, the new FS-Series, including the DMC-FS3 which features 8.1 megapixels, a f2.8 Leica DC VARIO-ELMARIT lens, 3x optical zoom, and Panasonic's Intelligent Auto Mode. The FS-Series, a sister line to the world-acclaimed FX-Series, also includes the newly announced DMC-FS20 and DMC-FS5, and the entire series offers easy and intuitive operation that helps consumers produce high-quality images.

The DMC-FS3 features a new image-processing LSI, the Venus Engine IV, which contains a more advanced signal processing technology for rendering higher-quality images and produces a faster response time. In addition, the camera boasts the new Intelligent LCD, meaning the 2.5-inc LCD screen detects the lighting condition and controls the brightness level to offer optimal clarity in any situation, whether dark or light; indoors or outdoors.

"Many consumers today are looking for pocket-sized, easy-to-use cameras that take crisp, high-quality pictures," said Alex Fried, National Marketing Manager, Imaging, Panasonic Consumer Electronics Company. "With the DMC-FS3, we're giving consumers what they want: a sleek, stylish compact digital camera that still packs powerful advanced imaging technologies, such as Panasonic's Intelligent Auto Mode."

Panasonic's Intelligent Auto Mode is comprised of five distinct technologies designed to provide users with intuitive and automatic camera adjustments no matter the shooting condition and without the user having to do anything manually. Intelligent Auto Mode consists of the following:

MEGA O.I.S. - Gyrosensors detect hand-shake and the lens system shifts to compensate, helping to prevent hand-shake from creating a blurry image.
Intelligent ISO - Can determine if the photo subject is moving and change the ISO setting and shutter speed accordingly, thus giving a blur-free photo.
Intelligent Scene Selector - Senses the ambient conditions, recognizes the shooting environment and will automatically select the appropriate scene mode from: Scenery, Portrait, Macro, Night Portrait or Night Scenery mode.
Face Detection - Panasonic's Face Detection detects up to 15 faces anywhere in the frame, even if they are moving, and automatically chooses the optimal focus and exposure settings so portraits come out clear and crisp.
Quick AF - The Quick AF (auto focus) system starts focus on the subject by just pointing the camera to the subject, thus minimizing the AF time.

- more -

Additional features of the Panasonic LUMIX DMC-FS3 include:

Title Edit function which allows the consumer to input text to accompany a photo, for instance, the names of children or travel locations.
50 MB internal memory.
Records WVGA (848 x 480) motion images at 30 frames per second in a 16:9 aspect ratio, ideal for viewing on High Definition televisions, such as Panasonic VIERA Plasmas and LCDs.
Compatible with optional marine case, DMW-MCFS5, for underwater shooting.

The DMC-FS3, available in blue, pink, green, silver and black models, has a manufacturer's suggested retail price of $199.95 and will be available in February 2008.

Both Lumixes have 5x zoom, image stabilization, 2.5-inch, 230,000-dot LCD, manual controls, "intelligent ISO," and face detection, plus a handy 1920x1080 photo size for TV-ready pics. The LZ-8 runs $180, and $70 more will buy you two extra MP with the LZ-10. Man, that floating arm holding the camera in the gallery is freaking me out.

PANASONIC INTRODUCES LUMIX LZ-SERIES DIGITAL CAMERAS, AFFORDABLE MODELS WITH PROFESSIONAL-QUALITY FEATURES

New Point-and-Shoot Models Feature Wide-Angle Shooting,
Leica DC Lenses, Manual Controls and Intelligent Auto Technologies

LAS VEGAS, NV (January 29, 2008) - Panasonic today announced new members to its growing family of full-featured and high-performing LUMIX digital cameras with the introduction of two more point-and-shoot models, the DMC-LZ10 and DMC-LZ8. Featuring two key enhancements from last year's DMC-LZ7, the new LZ-Series models feature Leica DC VARIO-ELMAR lenses and wide-angle shooting - 30mm on the LZ10 and 32mm on the LZ8. Furthermore, each new LZ-Series model boasts manual controls, convenient AA-battery operation, a 5x optical zoom, Intelligent Auto Mode and the Venus Engine IV, the new high-speed, image-processing LSI.

"Not long ago it would have been hard to imagine a user-friendly and affordable digital camera packed with features professional photographers would envy, such as wide-angle Leica lenses, and manual controls," said Alex Fried, National Marketing Manager, Imaging, Panasonic Consumer Electronics Company. "However, Panasonic's commitment to research and innovation, our partnership with Leica, and our dedication to providing our consumers with the technologies they need to take professional-quality images resulted in an extraordinary feat with the 2008 LUMIX LZ-Series."

The LZ10 and LZ8 are perfect for consumers who expect a digital camera that blends power, performance and quality, helping them to maximize the digital photography experience. The LZ-Series' lenses were developed by Panasonic, passing Leica's stringent standards to deliver an exceptional optical performance for Panasonic LUMIX consumers. With the LZ10's 30mm wide-angle lens and the LZ8's 32mm wide-angle lens consumers can capture larger group photos or more expansive scenic shots.

To provide digital photographers with added creative elements and performance, both LZ models sport manual control over aperture and shutter speed, thanks to the camera's newly-adopted iris. When shooting manually, users can choose from three modes: A-aperture priority, S-shutter speed priority and M-manual and enjoy added control and creativity normally reserved for higher end models. Also new to the LZ-Series is Advanced Scene Mode - a feature that gives consumers manual control using some of the frequently-used scene modes: Portrait, Sports, Landscape and Night portrait.

While in Advanced Scene Mode, when selecting the Portrait or Sports mode, the consumer is then presented with additional settings, with the option of choosing outdoor or indoor. When selecting Landscape mode, there are options to specify if the shot is nature or architecture. For budding photographers who desire even more artistic freedom, they can choose Creative mode, which adds more manual controls over an aperture or a shutter speed.
For consumers not quite ready for complete manual control, the LZ-Series also features Panasonic's Intelligent Auto Mode, which is comprised of five distinct technologies designed to provide users with intuitive and automatic camera adjustments, regardless of the shooting condition and without the user having to do anything manually. The LZ10, with 10.1 megapixels, and the LZ8, with 8.1 megapixels, both feature Intelligent Auto Mode, consisting of the following features:

• MEGA O.I.S. - Gyrosensors detect hand-shake and the lens system shifts to compensate, helping to prevent hand-shake from creating a blurry image.
• Intelligent ISO - Can determine if the photo subject is moving and change the ISO setting and shutter speed accordingly, thus giving a blur-free photo.
• Intelligent Scene Selector - Senses the ambient conditions, recognizes the shooting environment and will automatically select the appropriate scene mode from: Scenery, Portrait, Macro, Night Portrait or Night Scenery mode.
• Face Detection - Panasonic's Face Detection detects up to 15 faces anywhere in the frame, even if they are moving, and automatically chooses the optimal focus and exposure settings so portraits come out clear and crisp.
• Quick AF - The Quick AF (auto focus) system starts focus on the subject by just pointing the camera to the subject, thus minimizing the AF time.

Each camera also features new 230,000-dot high-resolution LCDs, complete with the new Intelligent LCD, meaning the 2.5-inch LCD screens detect the lighting condition and controls the brightness level to offer optimal clarity in any situation, whether dark or light; indoors or outdoors. The cameras also include the popular High Angle mode which makes the LCD screen easy to view when held high, to shoot over a crowd or a tall object.

Additional highlights of the Panasonic LUMIX LZ-Series include:

• Newly added speaker lets consumer enjoy a slide show with music, selecting from natural, slow, urban or swing tunes; or add voice to a motion video.
• Title Edit function which allows the consumer to input text to accompany a photo, for instance, the names of children or travel locations.
• Ability to record WVGA (848 x 480) motion images at 30 frames per second in a 16:9 aspect ratio, ideal for viewing on High Definition televisions, such as Panasonic VIERA Plasmas and LCDs.
• The ability to shoot 1920x1080 pixel High-Definition ready photos, ideal for wide-screen viewing on a 16:9 VIERA Plasma or LCD.
• The DMC-LZ10 can shoot up to 160 images and DMC-LZ8 shoots 180 images with the included Alkaline batteries and 460(LZ10) /470(LZ8) images with optional Ni-MH rechargeable batteries (2600mAh)*.
• A record/playback mode switch, which lets the photographer switch between recording and playback modes, while always knowing the current mode

The DMC-LZ10 and the DMC-LZ8 will be available in black and silver models in February for a manufacturer's suggested retail price of $249.95 and $179.95 respectively.

Even though the guts of the camera are essentially a year old at this point, we still walked away from our brief time with it pretty satisfied, actually, thanks to small improvements that add up to a lot, like the new image-stabilizing kit lens, auto-orienting screen (horizontal or vertical) and built-in stop-motion moviemaker for quickly stringing together Robot Chicken-style clips on the go (which we adore, just wish the 100 pic limit was higher).

But, there are a couple of things that don't quite stack up to the EOS 450D XSi, live view being the most glaringly absent feature. The XSi also has a bigger screen, packs in more megapixels (even though it has a slightly smaller sensor than the D60) and shoots faster in continuous shooting (3.5 fps to the D60's 3). But enough paper football—we'll be putting these two head-to-head, flesh-to-the-floor soon enough.

NEW NIKON D60 DIGITAL SLR CAMERA MAKES CAPTURING BEAUTIFUL PICTURES FUN AND EASY

MELVILLE, N.Y. (Jan. 28, 2008) - Nikon, Inc., today introduced the new D60 digital SLR camera, which provides consumers with stunning picture quality and versatility in an easy-to-use, compact camera design. The D60 joins Nikon's award-winning line of D-series digital SLR cameras and shares a form factor similar to the D40 - Nikon's smallest D-SLR camera ever. With 10.2 effective megapixels and a wealth of innovative and user-friendly features, the D60 enables both photo enthusiasts and those new to digital SLR photography to capture incredible images like never before.

"The Nikon D60 makes stepping up to digital SLR photography easy for anyone, but is also a wonderful choice for photo enthusiasts looking for remarkable performance in a compact package," said Edward Fasano, general manager for marketing, SLR System Products at Nikon, Inc. "This model, like the wildly popular Nikon D40, greatly simplifies use and builds confidence in the user. With a host of innovative features, such as a visually intuitive LCD information display, Nikon's highly regarded EXPEED image processing concept, new dual dust reduction countermeasures, in-camera editing tools and exciting creative options, the D60 enhances the picture-taking experience for picture-takers of all skill levels."

Users will immediately appreciate the D60's fast 0.18-second start-up time and split-second shutter response, which combine to eliminate the frustration of shooting lag - a common issue with many point-and-shoot digital cameras. With a fast and accurate autofocus and the ability to shoot continuously at up to three pictures-per-second, the D60 faithfully captures pictures that other cameras often miss. The D60 does all this while delivering extraordinarily vivid and detailed pictures, ensuring that fleeting expressions, special moments and memorable events are captured beautifully.

Packaged with Nikon's new AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR image stabilization lens, the D60 camera and lens outfit delivers striking image sharpness. What's more, Nikon's proprietary VR (Vibration Reduction) image stabilization technology also dramatically reduces blur caused when shooting handheld pictures, especially in low light.

The camera's 10.2 megapixel CCD sensor delivers crisp, high-resolution images with astounding color and clarity, while Nikon's advanced 3-D Color Matrix Metering II ensures that images are exposed beautifully and automatically, even in challenging lighting conditions. Additionally, Nikon's new digital image processing concept, EXPEED, delivers smooth tones and accurate color for vibrant pictures and flattering portraits.

The D60 also offers consumers comprehensive in-camera functionality, such as Active D-lighting. Through this innovative Nikon feature, the camera can, with the option selected, further optimize shadow and highlight detail—as pictures are taken. Shots that once required adjustment with photo editing software can now go straight to the printer, bypassing the computer altogether.

For added fun and creativity while reducing or helping to eliminate time spent manipulating pictures later, the D60's In-camera Retouch Menu enables users to accomplish a wide variety of tasks without a computer. The D60 offers new in-camera editing capabilities, including adjustable cross-screen star effects, color-intensifying filters as well as D-lighting, Red-eye correction, Image Trim and more. The D60's Stop-Motion Movie mode is a D-SLR first that enables users to create stop-animation movie clips from a series of as many as 100 consecutive JPEG picture files. More experienced photographers will also enjoy shooting in the lossless NEF (RAW) format, and then adjusting image parameters, such as size, format, and white balance, all within the camera.

While many cameras now feature a dust cleaning function, the D60 takes this idea one step further. In addition to offering an Image Sensor Cleaning function that quickly and silently shakes off specks of image degrading dust, the camera also minimizes the dust that can come into contact with the sensor through a unique Airflow Control System. This design works to channel particles away from the sensor with every click of the shutter, resulting in even further reduction of dust particles and the spots they can leave on pictures.

Ergonomically designed with intuitively placed controls, the D60 is a camera that's compact and ready to go wherever life leads. It also features a new power conserving Eye Sensor that turns the big 2.5-inch color LCD monitor on and off automatically when the user alternates between taking pictures and reviewing camera settings.

A customizable LCD monitor user interface rounds out the D60's convenient features, as users can create their own wallpapers and adjust color settings to adapt to their preferences. The D60's design also supports Eye-Fi memory card functionality, enabling the convenient wireless transfer of images from the D60 to a computer, when using Eye-Fi memory cards.* Additionally, photos can be securely written to readily available SD cards, high-capacity SDHC cards and Eye-Fi memory cards, offering users a range of data storage options.
The D60 will be packaged with the 3x zoom AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR lens and will be available throughout the United States beginning in February 2008. Pricing information will be available approximately 30 days prior to sales availability.

The D60, along with Nikon's entire line of photography, optics and digital imaging solutions, will be on display at the PMA 2008 International Convention and Trade Show in Las Vegas, from Jan. 31 to Feb. 2 at exhibitor booth # G220. For more information, please visit www.nikonusa.com.

• CoolPix S210 - Thinner than its predecessors at 18mm thick, with 8MP and electronic vibration reduction, the S210 comes in plum, graphite black, blue, and brushed bronze. The key here is compactness of body and of price: $180.

• CoolPix S520 - Step up from the S210, this slightly larger camera reads similar in specs, but with optical image stabilization rather than the electronic kind. You'll pay extra for better pictures; included in the $230 camera's intelligent scene modes is a high-ISO mode one optimized for food. (Yours or someone elses—totally your call.)

• CoolPix S550 - A sidestep to the S520, this one also costs $230 and comes in plum, blue and graphite black, but has 10 megapixels instead of 8 and no optical image stablilizer. It does have two cool tricks, however. Smile recognition (already seen in cameras from Sony and others) means it snaps when your subject smiles. The more unusual blink warning system automatically suggests you retake shots where someone's eyes are closed. Pretty crazy stuff—definitely our favorite in the lineup.

• CoolPix S600 - This is the high-end performer, a 10 megapixel with 4x wide-angle zoom lens and optical image stabilizer (aka "vibration reduction") that'll cost you $300. It comes in slate black, has the fastest start-up time of any camera in its class (says Nikon) and has an Active Child Mode for getting the fast moving kids. (Yes, grammar sticklers, it probably should be "Active-Child Mode" but nobody asked us, now did they?)

Overall, it's a fine lot of cameras, but I'm not quite taken by the color choices. While I can dig the black and especially that brushed bronze, I do not think I'll ever be down with the plum. No sir. See for yourself in the gallery below. [Nikon]

NIKON'S NEW COOLPIX S-SERIES ARE AS STUNNING AS THE PICTURES THEY TAKE

Nikon is pleased to introduce the new COOLPIX S210, S520, S550 and S600 to its Style Series line of compact digital cameras. The super thin, just 18mm, (less than 3/4-inch) COOLPIX S210 offers 8 effective megapixel resolution, a 3x Zoom-NIKKOR glass lens, Electronic Vibration Reduction (VR) Image Stabilization technology, and a quality-crafted aluminum body. The S210's slim, elegant camera design comes in an array of color options such as plum, graphite black, cool blue, and brushed bronze, delivering high performance and ease-of-operation.

The slim, ergonomic COOLPIX S520 boasts a streamlined profile, 8 effective megapixels, a 3x Zoom-NIKKOR lens, Optical Vibration Reduction (VR) Image Stabilization, and a quality-crafted aluminum body. Style-conscious consumers will love the S520's design, in addition to the latest Nikon technologies that make this camera compact, easy to use, and capable of capturing breath-taking images. Additionally, the S520 adds the "Food Mode" to its existing scene modes. Food Mode allows for users to capture beautiful close-up images of food at high ISO settings in restaurants or other locations where flash photography is not permitted.

The COOLPIX S550 elegantly packs high performance and advanced functions into an ultra-compact body. The S550 boasts 10 effective megapixels of sharp resolution, a 5x Zoom-NIKKOR lens, and Electronic Vibration Reduction (VR) Image Stabilization and two new modes that enhance portrait photography: Smile Mode, which automatically triggers the shutter when the subject smiles, as well as Blink Warning, which displays a warning message when the subject has blinked. The COOLPIX S550 will be available in an array of new colors - plum, cool blue and graphite black - allowing consumers to not only express themselves with their photos, but with their cameras as well.

A standout in the slim-compact camera category, the COOLPIX S600 features an astonishingly fast start-up time, advanced functions, outstanding photographic performance and a slim and stylish body. Boasting 10 effective megapixels, a 4x wide-angle 28-112mm Zoom-NIKKOR lens, Optical Vibration Reduction (VR) Image Stabilization and the fastest start-up time for any camera in its class, the COOLPIX S600 is perfect for consumers who want stunning photos and an equally stunning camera. The COOLPIX S600's all-metal body will be available in ultra-cool Slate Black. For capturing action shots or fast moving kids, the COOLPIX S600 adds an Active Child Mode to the 14 existing scene modes that are standard in COOLPIX cameras.

The new COOLPIX S-Series cameras will be available nationwide beginning March 2008. The S210 will retail for 179.95**, the COOLPIX S520 and S550 will retail for $229.95**, and the S600 will retail for $299.95**.

** Estimated selling price listed is only an estimate. Actual prices are set by dealers and are subject to change at any time.

Tingling our spider sense a bit, however, is the fact that the pics look almost exactly alike, except for the A300 bearing "10.2" on its underside, while the A350 is marked "14.2," which also happen to be the only "known" specs. 10.2 megapixels for the A300, 14.2 for the A350. Stack 'em up against PMA's other new (or rumored) DSLRs right here. [Dyxum via Photography Bay]

The big news? Nikon is releasing the new D60 DSLR. It's got the same body design as the existing D40 (pictured here), features 10.2MP, Nikon's 3D Color Matrix Metering II system, Active D-Lighting for adjustable shadow detail, other integrated retouch settings and some pretty extreme dust prevention. In addition to a sensor cleaner, the D60 includes a Integrated Dust Reduction System that constantly chambers air away from the imaging sensor. It's like having a tiny maid in your camera. And hopefully we'll have a hands-on later this week (of the camera). [photographybay]